The popularization of Hindi songs in television series

TV series and music scores go hand in hand as they do in movies, because the sound adds drama to the plot. It is the soul of the story, and it transmits hidden truths to the audience that allows them to better follow its development. For example, in a crime thriller, the protagonist can convincingly say that it is okay, but the public will know that it is not or will not be, due to the music being played. Regardless of the choice of songs that are used or orchestrated, it is clear that they are important to television production. In recent years, Hindi songs have come to television comedies with their increasing popularity. Thanks to the union of Bollywood and Hollywood concepts, today's American shows not only adopted cultural fusion in their casting, but also applied a variety of cultural music to make the experience more genuine. Programs like Weeds, Community, Human Giant, House and Big Bang Theory have paved the way with the incorporation of Indian characters in the main billing. Beyond that, Indian music has also taken hold of all forms of visual media, from movies to scripted, unscripted and informative show genres, with crossover hits like Jai Ho and Chammak Challo.


TV series and music scores go hand in hand as they do in movies, because the sound adds drama to the plot. It is the soul of the story, and it transmits hidden truths to the audience that allows them to better follow its development. For example, in a crime thriller, the protagonist can convincingly say that it is okay, but the public will know that it is not or will not be, due to the music being played. Regardless of the choice of songs that are used or orchestrated, it is clear that they are important to television production.

In recent years, Hindi songs have come to television comedies with their increasing popularity. Thanks to the union of Bollywood and Hollywood concepts, today's American shows not only adopted cultural fusion in their casting, but also applied a variety of cultural music to make the experience more genuine. Programs like Weeds, Community, Human Giant, House and Big Bang Theory have paved the way with the incorporation of Indian characters in the main billing. Beyond that, Indian music has also taken hold of all forms of visual media, from movies to scripted, unscripted and informative show genres, with crossover hits like Jai Ho and Chammak Challo.

From 1955, foreign acts began to incorporate Indian influences and musical instruments in their successes. But, in the 1980s, fashion quieted down, leaving some die-hard immigrant fans with no choice but to entertain underground Asian compositions. In 2000, Indian music slowly began to re-establish itself, such as "Indian Flute" and "Don't Phunk With My Heart" (trying Asha Boshle's "Yah Mera Dil").

Bollywood movies so far are the second most viewed movies in America with a built-in audience of 3 million. Imports like Slumdog Millionaire, 3 Idiots and Ghajini garnered praise from the American public and critics alike, prompting the creation of the Bollywood film Saawariya, financed by the foreign (Sony).

However, Hindi music has yet to gain substantial following due to the fact that it is inaccessible in the area. Unlike movies, Indian songs are not mass-marketed at retail stores like Walmart and Best Buy. They are also not given a substantial radio broadcast. Therefore, interested people have to search online to appreciate what they are about.

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