Paul Brown discusses with Auction Daily about the auction king TV show and how it affects his Business
Auction Daily- How has the press and popular culture influenced the way Americans consider antiques and auctions? And what’s it like to operate on a favourite TV series selling a few of the very odd – and more iconic – product on the planet?
Paul Brown: We’re located in Atlanta, GA, and maintain monthly auctions. Nowadays, we specialize in unique collectables, luxury decorative arts, fine jewellery, art, and couture items. Nonetheless, it affects monthly. Now my son, Elijah Brown, oversees the firm, and that I keep a fascination with Gallery 63 in an advisory capacity. Our company grew dramatically when we moved to our present place in 2006. We started marketing to bring a much greater group of the consignment. We began frequently drawing 300+ individuals to our earnings. We included jewellery and nice rugs and started tackling memorial deaccessions and upscale home furnishings. We served beer!
Auction Daily: Which are a few of the most memorable a lot you have sold?
Brown: I do not know where to start. Concerning documents, I don’t know if anybody keeps track of this type of thing, but we have doubtlessly sold more eccentric items on TV than anybody else on Earth. Of that, I am certain. Why do you believe the program was successful? Browne got the interest of a manufacturing company who had been operating with Discovery in 2009. I’d pitched a similar notion that a year before but did not get much traction at the moment, and I forgot about it since I moved along running the enterprise. I filmed a sizzle reel revealing the gallery, my workers, and a few intriguing bits and shipped it to the manufacturing company. They loved it so much they green-lit 26 episodes of that which could eventually become known as Auction Kings! It initially was known as Bidder Rivals; however, I did not like the title. 26 is a shocking variety of episodes to dedicate to for creation, as it entails a lot of funds to begin an unproven concept from scratch. Further complicating it, TV manufacturing enjoys certainty; to understand how things will turn out. However, in an auction, there’s not any method to control results. We would adhere to a product we believed would hit a house run to see it fizzle on the block from time to time. Other times, there were black horse’ things that ended up ringing the bell auction day. This form of doubt was hard for the manufacturers, but I adored it, and it finally made for good TV. Nothing compares with the delight of market day. Sellers are worried, buyers are worried, and there are real strain and energy in the room. The camera may select up that strain. We started filming at the Spring of 2010, and also the very first episode aired in October of the year. I recall it well because we comprised a 19th-century Vampire Killing kit and broke a few network evaluations documents. It was a fantastic experience for me, and we moved on to picture four complete seasons containing 96 episodes throughout 2014. It fostered an already growing company and created several memories to last a lifetime. I thought of our series, and many others in the genre, as a way to cut across all demographics. No matter how you examine it, we have all got things – and we are all considering its source and worth. In retrospect, I would argue that it is even more valuable now. Things show our shared background as a culture, and there’s power in that.
Brown: We accommodated fairly well after we figured out where to place each one the folks. I’d frequently known to auctions as"theatres of capitalism" before Auction Kings, and manufacturing only confirmed that atmosphere. Additionally, the normal auction patron is frequently the kind that marches to his defeat. Eccentrics create exceptional guest celebrities. Plus, we offered plenty of t-shirts.
Auction Daily: Eventually, do you believe TV shows such as Auction Kings, Pawn Stars, and Antiques Roadshow have influenced how the public believes about antiques and auctions?
Brown: I firmly believe that all those shows exhibit the wonderful treasure hunt that people participate in. Each weekend, millions of people venture out to antique shops, markets, real estate sales, and auctions searching for this elusive find. Shows such as these highlights the delight of the search, and observe the occasional trophy. Nowadays, virtually everything can be found from our smartphone, but exactly what the digital revolution can’t replicate is the true occasion of moving out, digging around old shops, basements, attics, areas, and auction houses. The things we market and the things we hunt only are not available on Amazon, and therefore, I am grateful.
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